Architectures of Hiding

A Space In-Between

In this lecture-performance, I create a rewriting of history in the form of a series of speculative events that are rooted in political incidents that affected my family. Here, I go back in time to explore the link between architecture, memory, and history, focusing on the institutions—school, hospital, and prison—through which the state imprints power on or actually destroys bodies to eradicate memory and control the writing of History. Likening the institutionalized hiding and suppression of history with the internalized process of memory repression, I use the power of my own writing on the historical events and the power of photographs to invoke memory.

Beginning with a discussion on Berlin’s 1942 Sachsenhausen concentration camp, the narrative then moves to the Allan Memorial Institute in Montreal, a reference to the government psychological experiments conducted on citizens during the Cold War period in the 1950’s. The story concludes in Tehran’s Towhid Prison, where my father was interrogated and tortured as a political prisoner in 1979.

Here, text, images, videos, and photographs are layered and interwoven to create an unstable narrative to be deciphered by the viewer and elaborated upon during a performance by myself. Influenced by states of crisis and ‘split-identities,’ the time and space constantly move back and forward between past and present/here and there.

| Anahita Norouzi | Independent Artist.